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Spotlight: Mantis – Rapper & Management at Kele Productions

Spotlight
'yut rise up' spotlight on Mantis, rapper & management at Kele ProductionsCredit: yutriseup/Savvy Vanuatu

It’s okay to have strong emotions but remember that we always have the power to choose what we do next.

How did your family’s support shape your upbringing and contribute to the person you are today?

Growing up, my family always tried their best to make sure I had the right tools to survive in life. Starting simply from waking up on time and making my own bed to respecting everyone around me, it was always about teaching me that the small habits I create now will help me in my future pursuits. I was raised by my mother growing up in the same house with her siblings, my uncle and aunty all living with my grandparents. Because my mother would work long hours, every one of my family members played vital roles in mentoring about life. Coming from a Christian background, our household believed strongly in upholding our faith and till this day, that has shaped the person I am and everything I do.

'yut rise up' spotlight on Mantis, rapper & management at Kele Productions
'yut rise up' spotlight on Mantis, rapper & management at Kele Productions

You started rapping at a young age, and by 18, you and the boys from Confliction had already performed at several shows. How did your journey in music begin, and who influenced you to start?

My journey, as well as all Confliction members at the time, started in the church. My favourite part of Sunday service was always singing choruses during praise and worship. We would attend youth sessions every Friday evening and would make music after everyone else had left. In the beginning, we did not have our own equipment so we would use the church microphones to record our first songs. At first, we just wanted to do it as a hobby. Outside of church music, all of us were into RnB and notably Hip-Hop and Rap music. Our mentors at the time and still to this day were local artists, some of whom were actually family members. Jamala was the first person I had ever seen rapping in the church. His articulation and lyricism inspired me to always write from the heart and to keep my pen sharp. His brother Local Remedy was the first person to ask us if we were serious about wanting to make music and really pushed us into the direction, we were at the time not even thinking of. Much like our origin, we started performing cover songs as items in church, then at other centers, then eventually got our first big gig in 2014 during Zion Fest. After that show, we met Nawarake who really opened doors for us into the music industry and helped us build up our group. He was our manager for a couple of years, got us to network with other artists like Krasrut Star, Tujah, Stan as well as many others.


Can you take us through your transition from Confliction to releasing singles as Mantis and now running Kele Production?

'yut rise up' spotlight on Mantis, rapper & management at Kele Productions

I think my transition was a natural one. With Confliction, the goal was always about spreading a message and sharing stories of our reality. The songs we wrote were for people to listen and think so they had to be appealing to the public, meaning we would be strict about how we wrote our lyrics and what we said. In 2018 was when we had released our final songs and an album, the following year I had moved to New Zealand for school and our group went on hiatus as all of us took different paths in life. While I was studying, I went through many challenges, struggling with homesickness, anxiety and depression. Making music was really my only way of dealing with my traumas. But what I would write about were very personal and I did not want to associate the reputation Confliction had already built.

An example is using explicit lyrics, which I could not use under the band’s name. Releasing my own music gave me more creative freedom with how I would structure songs, and I could write longer verses and really experiment vocally and try to find my own voice as Mantis. Coming back from my studies and reconnecting with my fellow band members, while things were not the same as when we were in a band, we still all felt strongly about continuing to pursue music together in some shape or form. By this time, I already had gotten some of my own recording equipment and I had a handful of songs that I wanted to release as an album called Personal Therapy. We decided that we would continue creating music but under a different name, this time not as a band but as a group of musical engineers supporting artist projects, similar to how a record label would operate. Our first big project was my first album and we released and sold it back in 2022. We organised a launch event, sold food and kava and raised enough money to build a small studio with basic recording equipment. Ever since, our goal has been to support upcoming artists that have potential and do what we can to direct them in the direction their music can take them by giving them a space where they can create freely. In a sense, we are simply doing as our mentors did for us when we were starting out.


Through Kele Production, you’ve helped develop young artists, including several female musicians who have found success. Can you tell us about them and the impact of your mentorship?

'yut rise up' spotlight on Mantis, rapper & management at Kele Productions

I think to date our team’s most successful project artist has been Shazza. Although her most popular songs were produced by Flickzone, many of her first recordings were done with us even before we had built our studio space. Working with her has taught us many things about managing an artist, communicating and understanding their needs and giving constructive feedback where it’s needed. We are grateful that she has gotten to bigger stages now and is still pursuing her passion for music. We always try to encourage the artists who work with us to keep making music a part of their lives regardless of if they chose to pursue it professionally or not. We know full well how hard it can be to make a stable income through music so when we see that someone who we worked with is still creating music it always makes us happy and proud.
Right now, we have a couple of young talented artists on our team. Recently two of them, Mental-E and Ali-D have both released their first singles a few months ago and are currently working on their next projects and we can’t wait to share them.


While attending Ecole Cordeaux, how did you juggle schoolwork, songwriting, music production, and church commitments?

'yut rise up' spotlight on Mantis, rapper & management at Kele Productions
'yut rise up' spotlight on Mantis, rapper & management at Kele Productions
'yut rise up' spotlight on Mantis, rapper & management at Kele Productions

My mother was very intentional in creating an environment for me to keep me disciplined. In other words, she was strict about what I did with my time outside of school, the only other priorities were time spent with family and time at church. While I was never an A+ student, I had to prove to her that I could make time for my music while also making enough time for my studies and my church commitments. In a way, challenging myself helped me to keep some sort of structure in my weeks. I still struggled everyday keeping up with my classes as my mind was always on making music. My commitment to church and youth sessions on Fridays also helped keep me out of trouble or bad company. I had good close friends at school that have now become like family to me, and we supported each other through our hardships.


How did you manage stress and frustration back then compared to how you handle it now?

'yut rise up' spotlight on Mantis, rapper & management at Kele Productions

I think back then I was very much dependent on the people around me as support systems whenever life felt difficult. At home, my family’s prayers and faith kept me strong in the face of uncertainty, at school the comradery I felt from my friends assured me I was not alone when things were challenging.

I would also drink a lot of alcohol that always used to help me relax as I was usually with my cousins or friends. When I found music, that also became another way for me to express myself and take out my emotions. When I moved for 3 years, for the first time I was separated from my family and friends and had to learn to be independent, relying only on myself and what I had learnt up until that point. It was at that time that my faith was truly tested and where I learnt hard lessons about myself and the world around me.

I can now say that after all these experiences, the best way I have been managing my stress is focusing on creating a healthy lifestyle. When we develop ourselves physically, we will also develop mentally. This includes trying my best to eat healthy meals, drinking lots of water every day, getting enough sleep and rest as well as regular exercise. All these little habits have helped me keep on top of my stress levels, be it at home or at work. As I get older, I have learnt to be more selfish with my time and be honest about how I feel in a day and say, “maybe I won’t go out and sleep early” or “maybe I won’t drink kava tonight and just stay home”. I find that the healthier habits you try to implement daily, the more likely you will develop a lifestyle that will help you deal with everyday challenges. This also goes in line with what the bible says about our bodies being temples of God that we must take care of (1 Corinthians 6:19-20).


When reggae dominated the local music scene and rap was often associated with negative stereotypes, what gave you and the boys the confidence to pursue rap despite public opinion?

I think the fact that there were negative stereotypes about rap music made us more reluctant to use it and prove people wrong. To us, rap music was always about giving a voice to people who couldn’t be heard, an artform of expression where you could say how you felt about your reality. It’s an integral part of Hip-Hop culture that we as a group embraced from a young age. A lot of the typical stereotypes stem from how the art is projected through the clothing, the “in your face” attitude, cursive language and questionable subject matters at times (mostly associated with gangster music or sexually explicit songs). We really wanted to change that narrative and let people know that rap music was a powerful tool that could inspire change.

Personally, I continue to pursue this genre simply because I love rap music. If it’s not your cup of tea, I will never force you to listen. I have been rapping for years now and until I am no longer able to, no amount of public opinion against it will ever be the reason that I stop.


How important is it to surround yourself with the right people, and how do you stay mentally strong in doing so?

'yut rise up' spotlight on Mantis, rapper & management at Kele Productions

Extremely important. While you can’t choose your family; you can choose the people you surround yourself with. If you are hanging out with people who lack vision or goals and who don’t try to seek out such things, neither will you. In Vanuatu, there is an abundance of toxicity from people that comes from different forms like jealousy and hatred, especially on social media. We judge each other so harshly to the point where we become afraid to try anything out of fear that we will be mocked. Having people who can motivate you and encourage you positively in your life will always be beneficial to you. As Melanesians, community is naturally a strong pillar in our lives and it’s important to ask ourselves what that looks like for us and who should have a seat at our table or not.

For me, I have had times where I had to dissociate with certain friends, even family members simply because of how toxic they were. What has kept me mentally strong is knowing that I have the power to choose the people in my circle. Nobody is perfect, and we all have toxic traits. But we can also work on ourselves to be better.


Do you believe women deserve the same respect as men in the music industry? Why or why not?

As an artist myself, I don’t think people should be judged by their gender but by their music. I think the music you produce should speak for itself for you to deserve any form of respect. Our female artists are more often heavily criticised in their music than men are. However, I don’t think it’s related to their music specifically but more so sexism. I’ve seen and had multiple conversations with female artists and usually they find themselves more subjected to being picked on out of jealousy, especially from other women. In that sense, I think female artists have the right to express themselves through their music and they deserve to be heard and treated fairly.


As a man, how do you manage your emotions and anger in both personal and professional settings?

'yut rise up' spotlight on Mantis, rapper & management at Kele Productions

I work in an office with colleagues that are all different age groups both men and women. Everyone has different ways of working and some are easier to work with while others can be difficult. Being respectful is always a key element in working together. It’s important to keep your personal issues separate from your professional ones and vice versa. Managing your time, focusing on your tasks and communicating properly with your colleagues and superiors will help you organize your weeks.

Outside of work, I believe learning to be emotionally intelligent is crucial when dealing with feelings of frustration and anger, as it allows you to have a clear view of what you’re feeling emotional about and take steps to calming yourself. The more you learn and understand about yourself and how you react, the better you can become at managing your emotions.

“Being respectful is always a key element in working together.”


Why do you think it’s important for men to be positive role models for younger boys?

I think that it’s natural and important for boys to have guidance in all walks of life. Even if I grew up not knowing my biological father, I have many father figures that I hold in high regards till this day for the things they’ve taught me. As a young man, I always naturally sought approval from my elders like I had something to prove. I think having strong male figures in my life has helped me to form strong values. Although my biggest role model is my mother, my grandfather’s wisdom and leadership will always be something I rely on daily that I try my best to pass on to my younger peers.

'yut rise up' spotlight on Mantis, rapper & management at Kele Productions
'yut rise up' spotlight on Mantis, rapper & management at Kele Productions

March 12, 2025
https://yutriseup.com/wp-content/uploads/2025/03/0O5A6460.jpg 1366 2048 Lisa Macalister https://yutriseup.com/wp-content/uploads/2024/10/yru-logo-onblack-300x76.png Lisa Macalister2025-03-12 01:06:042025-03-12 21:49:11Spotlight: Mantis – Rapper & Management at Kele Productions

Spotlight: Shazza – singer & songwriter

Spotlight
'yut rise up' spotlight on Vanuatu singer and songwriter, ShazzaCredit: yutriseup/Savvy Vanuatu

“Wokbout blong mi olsem wan singer i stat taem mi gat 5 yia nomo. Taem mi smol i kam antap, mi bin stap tekem pat lo ol jej activiti mo stap attendem ol yut grup, emia nao pulum interest blo mi blo joinem worship team. Taem mi stap singsing insaed lo jej, sam taem mi singsing wetem grup, ol nara taem me singsing mi wan. Emia nao mekem mi bildim confidence. Taem mi stap gro kam bigwan, family blo mi oli enkarejem mi blo kam out lo comfort zone, taem oli fomem wan family band wea i lid ko lo fes stage performance blo mi wea hemi tek ples long Christmas in the Park. Hemi bin scary lelbet, be i go gud mo hemi makem wan bigfala turning point long laef blo mi.

Afta long hemia, ol uncle blo mi long saed blo papa oli tekem mi lo studio blo mekem recording. Fes taem mi rikod lo studio, mi bin mekem backup vocal blong wan song we mifala i coverem long langwis blong mifala long Pamma, we oli kolem “Atouli Vaoleli Keil.” Taem mi stap rikod wetem ol uncle blong mi lo studio, mi lanem blong wok tugeta wetem narafala pipol, mo hemia nao mekem mi save meetim ol narafala we oli stap givhan long mi blong lanem mo gro lo music. Ol family member blong mi, speseli ol uncle blong mi, oli talem mi blong recordem ol song we oli bin raetem finis, mo hemia helpem mi long lanem mo save mo long singsing. Afta, mi raetem fes song blong mi wetem DJ Alexis mo wan nara DJ we i stap long Vanuatu. Emia nao stat blong wokbaot blong mi blong faenem style blong mi long music.

Long ol las yia blong mi long college, mi mi stil faenem taem blong mekem backup vocals lo studio. I no bin isi blong kam out long comfort zone blong mi, speseli from i no gat plante yang female singer i stap mekem olsem. Biaen, mi join wetem Palm Tree Studios (we bifoa oli kolem WIRED), we oli invitem mi blong feature lo wan song. Mifala i mekem song ia “Toxic Love,” mo hemia nao i wan bigfala milestone blong mi, i mekem mi mi save se connection wetem narafala i save helpem mi blong gro.

Taem i go longtaem, mi kam klosap wetem ol boe blong Kele Productions, we oli nomo fren, be oli kam family blong mi long music. Ol boe ia oli givim support we mi nidim blong buildim music blong mi stat long graon, mo mi mi stap sore tumas. Sapot blong olgeta i spesel tumas—i no isi blong faenem ol yang pipol we oli stap helpem narafala, be ol boe ia oli stap wetem mi stat long beginning.

Olsem wan yang female artist, i no isi blong talem tingting blong mi long ol studio we ol boe nomo oli stap lead, be mi lanem se mi mas bilif long mi wan. Ol uncle blong mi oli feswan we oli luk passion blong mi, oli stap talem lo mi oltaem blong join long band practice blong olgeta, “Sharon, kam mo join wetem mifala!” Fes taem, mi stap mekem olsem from mi laekem nomo, be taem mi stat blong wok wetem ol boe blong Kele Productions, passion blong mi i kam strong moa. Bilif blong olgeta long mi i mekem mi mi fil se mi save mekem, speseli taem mi stap faenem rod blong mi.

Long Vanuatu, mifala i gat wan culture blong jik jik—blong mekem fan lo ol man we oli traem mekem samting we i defren—mo hemia i save mekem ol man oli fraet blong go fowod. Mi mi stap luk save long ol female artist we oli bin mekem rod i klia, mo mi mi stap sore long ol man long community blong music blong yumi we oli stap showem respect mo support long ol female artist.

Long ol yut, mi mi gat wan toktok ia blong talem: sapotem ol drim blong narafala. Leftemap ol narafala, stanap long saed blong narafala, mo mekem se positivity i stap kam wan samting we yumi save. From taem yumi sapotem narafala, yumi evriwan i save kam antap tugeta.”

#yutriseup #yutyumimekemjenj #yutriseupspotlight #equalitymatters

'yut rise up' spotlight on Vanuatu singer and songwriter, Shazza
'yut rise up' spotlight on Vanuatu singer and songwriter, Shazza
'yut rise up' spotlight on Vanuatu singer and songwriter, Shazza
'yut rise up' spotlight on Vanuatu singer and songwriter, Shazza
'yut rise up' spotlight on Vanuatu singer and songwriter, Shazza
'yut rise up' spotlight on Vanuatu singer and songwriter, Shazza

“My journey as a singer began at just five years old. Growing up, I participated in church activities and attended youth groups, which sparked my interest in joining the worship team. Singing in church, sometimes with youth groups and other times solo, helped me build confidence. As I grew, my family encouraged me to step out of my comfort zone, forming a family band that led to my first stage performance during Christmas in the Park. It was terrifying, but it went well, marking a major turning point.

After that, my uncles on my father’s side introduced me to studio recording. My first session was backup vocals for a song we covered in our mother tongue, Pamma Language, called “Atouli Vaoleli Keil.” Recording with my uncles taught me about collaboration, and I soon began meeting others who offered insights on music and growth. Family members, especially my uncles, also encouraged me to record their pre-written songs, which helped me learn. Later, I wrote my first song with DJ Alexis and another well-known DJ here in Vanuatu. That was the beginning of my journey toward finding my own musical path.

During my final years of college, I would still find time to record backup vocals. It wasn’t always easy stepping out of my comfort zone, especially since there weren’t many young female singers pursuing this. Then I connected with Palm Tree Studios (formerly WIRED), who invited me to feature on a song. We created “Toxic Love,” which was an exciting milestone and reinforced the importance of connecting with others to grow.

Over time, I grew close with the boys from Kele Productions, who were not just friends but my music family. These boys provided the support I needed to build my music from the ground up, and I’ll always be grateful. Their support was special—it’s rare to find young people genuinely helping each other, and they were there for me from the start.

As a young female artist, voicing my opinions in male-dominated studios can be challenging, but I’ve learned the importance of self-belief. My uncles were the first to notice my passion, often encouraging me to join their band practices with welcoming words, “Sharon, come and join us!” At first, it was just something I did casually, but it grew into something deeper when I started working with the boys from Kele Productions. Their belief in me made me feel capable, especially as I was finding my way.

In Vanuatu, we often have a culture of jik jik—poking fun at those who try something different—which can hold people back. I admire the female artists who’ve paved the way here, and I’m grateful to the men in our music community who show respect and support for female artists.

To the youth, I’d say this: support each other’s dreams. Lift each other up, stand by each other, and let positivity be the norm. Because when we support each other, we all rise together.”

#yutriseup #yutyumimekemjenj #yutriseupspotlight #equalitymatters

'yut rise up' spotlight on Vanuatu singer and songwriter, Shazza
'yut rise up' spotlight on Vanuatu singer and songwriter, Shazza

November 7, 2024
https://yutriseup.com/wp-content/uploads/2024/11/0O5A6612.jpg 1289 2048 Lisa Macalister https://yutriseup.com/wp-content/uploads/2024/10/yru-logo-onblack-300x76.png Lisa Macalister2024-11-07 09:58:192024-11-08 02:02:53Spotlight: Shazza – singer & songwriter

Spotlight: Selina Solman – Vanuatu Women’s Cricket Team Captain

Spotlight
'yut rise up' spotlight on Vanuatu Women's Cricket Captain Selena SolmanCredit: yutriseup/Savvy Vanuatu

“Mi kam blong save kriket long wan taem we i no gat ol klab blo ol woman or domestik kompetisen blo ol woman. Mi stat go long ol sesen from ol brata blong mi oli wantem mi blong joen, be afta wan praktis nomo, me tingting seh, ‘Wow, wanem kaen boring spot ya,’ mekem me mi stop go.

Long sem taem, netbol klab blong famili blong mi, Sumanettes, i stap lukaot ol man blong joen long ol miks tim. Mi traem blong pulum brata blong mi, Nalin, blong joen, be hem i talem stret seh, ‘No, from yu no joen long kriket.’ Mi harem seh me mas Karem ol boy kam play, mekem mi disaed blong traem kriket bakagen.

Mi traen strong mo mi traem blong joen long fes women’s nasonal tim blong wan kompetisen we oli bin holem long Vanuatu long yia ya, be from mi bin niu, mi no bin mekem seleksen. Be samting we i mekem mi kambak bakagen, hemi from ol man insaed long kriket komuniti oli mekem mi harem se mi no defren long olgeta—oli stap treatem mi olsem wan ikwal. Ol famli tu oli help bigwan blong enkarajem mo sapotem mi blo kontinu.

Long neks yia, long 2014, mi mekem nasonal tim mo mi travel i go long Japan blong fes international kompetisen blong mi. Afta lo hemia nao ol opportuniti e wokem kam.
I impoten tumas blong mifala i givim recoknisen long ol man mo woman we oli stap mekem bigfla wok blong mekem spes blong ol yang femel atlet mo ol narafala tu we oli no atlet, blong oli gro long ol eria we oli gat intres long hem. Mi no bin save kasem ples we mi stap long hem tedei sipos i no bin gat sapot ya.”

#yutriseup #yutyumimekemjenj #yutriseupspotlight #equalitymatters

'yut rise up' spotlight on Vanuatu Women's Cricket Captain Selena Solman
'yut rise up' spotlight on Vanuatu Women's Cricket Captain Selena Solman
'yut rise up' spotlight on Vanuatu Women's Cricket Captain Selena Solman
'yut rise up' spotlight on Vanuatu Women's Cricket Captain Selena Solman
'yut rise up' spotlight on Vanuatu Women's Cricket Captain Selena Solman
'yut rise up' spotlight on Vanuatu Women's Cricket Captain Selena Solman

“I was introduced to cricket at a time when there were no female clubs or domestic competitions. This was back in 2013. I started attending sessions because my male cousins encouraged me to join, but after just one practice, I thought, “Wow, what a boring sport,’ and stopped going.

Around the same time, my family’s netball club, Sumanettes, needed male players for the mixed teams. I tried to convince my cousin Nalin to join, but he refused, saying, ‘No, because you didn’t join cricket.”

Determined to help my team, I decided to give cricket another shot.

I trained hard and even tried out for the first women’s national team for a tournament hosted in Vanuatu that year, but since I was new, I didn’t make the cut. What kept me coming back was the inclusive attitude of the men in the cricket community. They never made me feel like I was less than anyone else— instead, they treated me as an equal.

The following year, in 2014, I made the National team and travelled to Japan for my first international tournament. From there, the rest is history. It’s so important to acknowledge the men and women who continue to create spaces for young female athletes and non-athletes alike to grow in the areas they’re passionate about. I wouldn’t be where I am today without that support.”

#yutriseup #yutyumimekemjenj #yutriseupspotlight #equalitymatters

'yut rise up' spotlight on Vanuatu Women's Cricket Captain Selena Solman
'yut rise up' spotlight on Vanuatu Women's Cricket Captain Selena Solman

October 20, 2024
https://yutriseup.com/wp-content/uploads/2024/10/spotlight-selina_01.jpg 630 1500 wade https://yutriseup.com/wp-content/uploads/2024/10/yru-logo-onblack-300x76.png wade2024-10-20 05:50:432024-11-07 06:10:14Spotlight: Selina Solman – Vanuatu Women’s Cricket Team Captain

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    Spotlight: Mantis – Rapper & Management at Kele Productions

    It’s okay to have strong emotions but remember that we always have the power to choose what we do next.

  • 'yut rise up' spotlight on Vanuatu singer and songwriter, ShazzaCredit: yutriseup/Savvy Vanuatu
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    “Wokbout blong mi olsem wan singer i stat taem mi gat 5 yia nomo. Taem mi smol i kam antap, mi bin stap tekem pat lo ol jej activiti mo stap attendem ol yut grup, emia nao pulum interest blo mi blo joinem worship team. Taem mi stap singsing insaed lo jej, sam taem mi singsing wetem grup, ol nara taem me singsing mi wan.”

  • 'yut rise up' spotlight on Vanuatu Women's Cricket Captain Selena SolmanCredit: yutriseup/Savvy Vanuatu
    Spotlight: Selina Solman – Vanuatu Women’s Cricket Team Captain

    “Mi kam blong save kriket long wan taem we i no gat ol klab blo ol woman or domestik kompetisen blo ol woman. Mi stat go long ol sesen from ol brata blong mi oli wantem mi blong joen, be afta wan praktis nomo, me tingting seh, ‘Wow, wanem kaen boring spot ya,’ mekem me mi stop go.”

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